Catalog Review

For Course Qualities In Effect For 2017-18

Process Date: 18-APR-2024

MUCO - Musicology

100	INTRODUCTION TO MUSIC LIT	Active
	Long Title: Introduction to Music Literature

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:
Description:	Lectures and guided listening for the non-music major, introducing musical materials, basic musical concepts, and a variety of styles and types of music. Consideration of the place of music in society, past and present. Does not satisfy course requirements for any music major.

110	TOPICS MUSICOLOGY NON-MAJOR	Active
	Long Title: Topics in Musicology for the Non-Major

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:
Description:	An exploration of a musicological topic that is more narrowly focused than or lies outside the scope of the Introduction to Music Literature course. May be repeated when topic is different. Does not satisfy course requirements for any music major.

120	INTRODUCTION TO JAZZ HISTORY	Active
	Long Title: Introduction to Jazz History

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:
Description:	An exploration of the musical development and cultural impact of jazz from its origins to the present for students not majoring in music. Lectures, films, and readings provide historical details. Does not satisfy course requirements for any music major.

131	MUSICAL EUROPE 1600-1750	Active
	Long Title: The Grand Tour: Musical Taste and Manners in Europe 1600-1750

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

A003 - Music Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:

Must be attending the Lawrence London Centre.

Description:

A study of music in the Baroque period, its social and historical context and relationship to other arts. The course explores the depth and variety of 17th and 18th century musical life and follows a broad range of interests to suit both music majors and non-specialists. Museum visits and weekly concerts, with accompanying lectures; demonstrations by performers active in the field of historical performance practice; and readings on form, style, and the lives of composers. The course is general in scope, and no prior musical knowledge is expected. Does not satisfy course requirements for any music major. Not open to students who have previously recieved, or need to receive credit for MUCO 431.Offered at the London Centre. PREREQUISITES: Must be attending the Lawrence London Centre.

133	THE LIFE & MUSIC OF BEETHOVEN	Active
	Long Title: Perspectives on Genius: The life and musical impact of Beethoven

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:

Must be attending the Lawrence London Centre

Description:

Ludwig van Beethoven, arguably one of the most famous composers of all time, is a compelling and fascinating figure in classical music. He occupies a central position as the architect of musical Romanticism and his influence continues today. In additions to studying his music from the perspective of his own time, we will discuss his extraordinary creative personality and the reception of his music by subsequent composers and listeners. A number of concerts and outside visits will be organized, and students will be encoursaged to attend relevant performances in London, for which they will be prepared in class. The course will be general in scope, and no prior musical knowledge will be expected. The course does not satisfy requirements for any music major. Not open to students who have received or need to receive credit for MUCO 433. PREREQUISITES: Must be attending the Lawrence London Centre

135	BRITISH MUSICAL RENAISSANCE	Active
	Long Title: The British Musical Renaissance: Elgar, Vaughan Williams, and Britten

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

A003 - Music Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:

Must be attending the Lawrence London Centre.

Description:

An introduction to British music in the first three-quarters of the 20th century. In addition to studying major works by Elgar, Vaughan Williams, and Britten, students will explore the social and political currents as they impinged on musical life in Britain. A number of concerts and outside visits will be organized, and students will be encouraged to attend relevant performances in London, for which they will be prepared in class. The course will be general in scope, and no prior musical knowledge will be expected. Does not satisfy course requirements for any music major. Not open to students who have previously received, or need to receive credit for MUCO 435. Offered at the London Centre. PREREQUISITES: Must be attending the Lawrence London Centre.

160	AMERICAN MUSICAL	Active
	Long Title: Advance of the American Musical

Units:	6	Cross-Listing Parent:	THAR 425	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	16	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A005 - Cross-Listed Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:	Sophomore standing or consent of instructor
Description:	A study of this uniquely American theatrical form as it develops in response to our culture throughout the 20th century and into the 21st. Ability to read music helpful, but not required. PREREQUISITES: Sophomore standing or consent of instructor

191	DIRECTED STUDY IN MUSICOLOGY	Active
	Long Title: Directed Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	14 - Directed Study	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:	Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

195	INTERNSHIP IN MUSICOLOGY	Active
	Long Title: Internship in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	08 - Internship/Practica	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A010 - Internship
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL02 - 100-199 Introductory Course

Prerequisites:

To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Description:

An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

201	WESTERN MUSIC HISTORY I	Active
	Long Title: Western Music History I

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M026 - XX Music History Surv I (00cr)
M067 - XX Western Music I (15cr)
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:	MUTH 251
Description:	This course will explore changing musical styles, practices, functions, and meanings in social and historical contexts from the medieval era through the middle of the 18th century – and investigate the very practice of doing history as a process fueled by changing values. Music majors are encouraged to enroll during the sophomore year. PREREQUISITES: MUTH 251

202	WESTERN MUSIC HISTORY II	Active
	Long Title: Western Music History II

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M028 - XXMusic History Surv II (00cr)
M069 - XX Western Music II (15cr)
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:	MUCO 201
Description:	This course will explore changing musical styles, practices, functions, and meanings in social and historical contexts from the middle of the 18th century to the present – and investigate the very practice of doing history as a process fueled by changing values. Music majors are encouraged to enroll during the sophomore year. PREREQUISITES: MUCO 201

210	TOPICS MUSICOLOGY NON-MAJORS	Active
	Long Title: Topics in Musicology for the Non-Major

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	25	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:

Sophomore standing

Description:

This course will enable non-music majors to engage with the discipline of music history. May be repeated when topic is different. Does not satisfy course requirements for any music major.

Topic for Fall 2017: The Rise of Rock and Roll
Growing out of the need for the young generation to have a voice separate from the influence of their parents, Rock-and-Roll will be studied from its genesis in the mid-50s, combining influences from R&B, Country, and Pop, through the variety of sub-genres in the 60s to the punk and disco movements in the 70s that attempted to return R/R to its simpler origins and functions. Movers and shakers who shaped the growth and acceptance of R/R as a popular artistic culture as well as the multitude of social, political, and racial challenges that influenced popular music will be the basis of discussions in class.

Topic for Winter 2018: The Beatles
A survey of The Beatles' career from their formation and early development, rise to superstardom, and influence in popular music in the 1960s, to their subsequent adoration as cultural icons. Discussions will center on presentations of audio and video clips, and simple analyses of music and lyrics relating socio-cultural, political, and other extra-musical factors to popular music.

Topic for Spring 2018: The Blues
A history of the blues as an African American musical practice, emphasizing early commercial and archival recordings, and tracing the development of blues forms and styles throughout the 20th century.

221	MUSIC AND GENDER	Active
	Long Title: Music and Gender

Units:	6	Cross-Listing Parent:	MUCO 221	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	06	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A005 - Cross-Listed Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
G044 - GER Dimens Diversity
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:	Sophomore standing
Description:	This course will explore the relationship between music and gender in the Western world from the Middle Ages to the present. Considering classical and popular music, including music videos and film, as well as writings about gender and music, we will explore music's role as a reflection of, reaction to, and active participant in gender construction. PREREQUISITES: Sophomore standing

223	MUSIC & MYSTICAL EXPERIENCE	Active
	Long Title: Music & Mystical Experience

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	10	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:

Sophomore standing

Description:

390	TUTORIAL IN MUSICOLOGY	Active
	Long Title: Tutorial in Studies Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	09 - Tutorial	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:

391	DIRECTED STUDY IN MUSICOLOGY	Active
	Long Title: Directed Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	14 - Directed Study	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:	Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

395	INTERNSHIP IN MUSIC HISTORY	Active
	Long Title: Internship in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	08 - Internship/Practica	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A010 - Internship
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL03 - 200-399 Foundation/Gateway Crs

Prerequisites:

To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Description:

399	INDEPENDENT STUDY MUSICOLOGY	Active
	Long Title: Independent Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	10 - IS	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:	Students considering an honors project should register for independent study for one or more terms. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

411	AESTHETICS OF MUSIC	Active
	Long Title: Aesthetics of Music

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:	Sophomore standing
Description:	A study of what can reasonably be said or written about music, critically examining many of the typical late Western assumptions often made of it, e.g., that music is an art, that it involves the production of works, that it is expressive, that it is a universal language. Open to music majors and non-majors. Previous music study helpful but not required.

421	MUSIC AND GENDER	Active
	Long Title: Music and Gender

Units:	6	Cross-Listing Parent:	MUCO 421	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A005 - Cross-Listed Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
G044 - GER Dimens Diversity
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:	MUCO 202
Description:	This course will explore the relationship between music and gender in the Western world from the Middle Ages to the present. Considering classical and popular music, including music videos and film, as well as writings about gender and music, we will explore music's role as a reflection of, reaction to, and active participant in gender construction.

422	BORROWED MUSIC IN THE MOVIES	Active
	Long Title: Borrowed Music in the Movies

Units:	6	Cross-Listing Parent:	MUCO 422	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A005 - Cross-Listed Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:	MUCO 202
Description:	When a film uses a pre-existing piece of music (popular or classical), meanings multiply, both within and outside the film itself. This course will explore these meanings, focusing on the fluid and reciprocal relationship between film and the music it borrows.

423	MUSIC & MYSTICAL EXPERIENCE	Active
	Long Title: Music and Mystical Experience

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	10	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A011 - Paired Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:

MUCO 202

Description:

What is mystical experience? And how does music evoke, induce, or otherwise bring us into relation with it? These questions motivate a cross-cultural, multi-disciplinary, and diachronic exploration of the ways in which human beings experience the numinous through music. Readings from contemporary and historical sources in eastern and western philosophy, psychology, and the history and theory of music provide intellectual and aesthetic contexts in which to engage with a variety of musical practices and traditions. In the spirit of its title, the course also requires a commitment to specific contemplative practices—not bound to any particular belief system—that are introduced in an effort to cultivate qualities of mind conducive to contemplative engagement with a work of music or the experience of sound. Not open to students who have received credit, or need to receive credit, for MUCO 223. PREREQUISITES: MUCO 212 or MUCO 202

431	MUSICAL EUROPE 1600-1750	Active
	Long Title: The Grand Tour: Musical Tastes and Manners in Europe 1600-1750

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

Prerequisites:

Must be attending the Lawrence London Centre. MUCO 201 and 202

Description:

A study of music in the Baroque period, its social and historical context and relationship to other arts. The course explores the depth and variety of 17th and 18th century musical life and follows a broad range of interests to suit both music majors and non-specialists. Museum visits and weekly concerts, with accompanying lectures; demonstrations by performers active in the field of historical performance practice; and readings on form, style, and the lives of composers. This course is a seminar involving independent research. Not open to students who have previously received credit for MUCO 131. Offered at the London Centre. PREREQUISITES: Must be attending the Lawrence London Centre. MUCO 212

433	THE LIFE & MUSIC OF BEETHOVEN	Active
	Long Title: Perspectives on Genius: The life and musical impact of Beethoven

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

Prerequisites:

MUCO 202; must be attending the Lawrence London Centre

Description:

Ludwig van Beethoven, arguably one of the most famous composers of all time, is a compelling and fascinating figure in classical music. He occupies a central position as the architect of musical Romanticism and his influence continues today. In additions to studying his music from the perspective of his own time, we will discuss his extraordinary creative personality and the reception of his music by subsequent composers and listeners. A number of concerts and outside visits will be organized, and students will be encoursaged to attend relevant performances in London, for which they will be prepared in class. This course is a seminar involving independent research. Not open to students who have received credit for MUCO 133. PREREQUISITES: MUCO 202; must be attending the Lawrence London Centre

435	BRITISH MUSICAL RENAISSANCE	Active
	Long Title: The British Musical Renaissance: Elgar, Vaughn Williams, and Britten

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	LU London Centre

Attributes:

Prerequisites:

MUCO 202

Description:

An introduction to British music in the first three-quarters of the 20th century. In addition to studying major works by Elgar, Vaughan Williams, and Britten, students will explore the social and political currents as they impinged on musical life in Britain. A number of concerts and outside visits will be organized, and students will be encouraged to attend relevant performances in London, for which they will be prepared in class. This course is a seminar involving independent research. Not open to students who have previously received credit for MUCO 135. Offered at the London Centre. PREREQUISITES: MUCO 202

440	TOPICS: LIFE & WORKS	Active
	Long Title: Topics in Musicology: Life and Works

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202
Description:	A study of a composer’s career, emphasizing the relationship between composer and society. Topics in this series vary from year to year. May be repeated when topic is different. Topic for Winter 2018: Stravinsky

441	DEBUSSY: CONTEXTUAL PERSPECTIV	Active
	Long Title: Debussy: Contextual Perspectives

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202
Description:	This course will examine Debussy and his music from a broad cultural perspective in order to reveal the connections between the music and the political, social, and artistic world in which it was created and received, and to use these connections to consider alternative paths of musical interpretation.

450	TOPICS: GENRE HISTORY	Active
	Long Title: Topics in Musicology: Genre History

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

MUCO 202

Description:

An examination of the historical development of a single genre, stressing the effects of societal changes. Topics in this series vary from year to year. May be repeated when topic is different.

Topic for Fall 2017: Concepts of Authenticity in Popular Music
In this course we will compare various models and measures of authenticity in popular music. The concepts of taste, artifice, appropriation, and reinvention will be explored and theorized alongside the concept of authenticity. Case studies will be drawn from an array of popular music genres, including folk, blues, grunge, glam rock, singer-songwriter, rock, indie pop, and hip hop.

451	HISTORY OF THE STRING QUARTET	Active
	Long Title: History of the String Quartet

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	15	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202
Description:	Composers have used the string quartet genre to express some of their most profound and daring musical thoughts since the late 18th century and up to the present day. Through readings and analysis, students will explore how this repertoire and its audiences have been shaped by sociological and aesthetic forces. PREREQUISITES: MUCO 212 or MUCO 202

452	HISTORY OF THE WIND BAND	Active
	Long Title: History of the Wind Band

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202
Description:	This course will be an examination of the history and development of the wind band as an artistic medium, focusing on repertoire and instrumentation development and cultural influences. The growth of the modern concert wind ensemble will be studied as a part of the evolution beginning with Gabrieli and proceeding through classical, romantic, and contemporary musical trends.

453	OPERA AND BETRAYAL	Active
	Long Title: Opera and Betrayal

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202
Description:	This course will examine different modes of betrayal (for example, at the plot, music, or production level) within opera from the 17th century to the present and explore possible meanings conveyed by operas relative to specific societal contexts and ideals, past and present. PREREQUISITES: MUCO 212 or MUCO 202

455	JAZZ HISTORY	Active
	Long Title: Jazz History

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUCO 202 or consent of instructor
Description:	A study of the contributions of select jazz artists through analysis of recordings, historical films, solo transcriptions, scores, and readings from texts. PREREQUISITES: MUCO 212

460	TOPICS: CULTURAL MOMENTS	Active
	Long Title: Topics in Musicology: Cultural Moments

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

MUCO 202

Description:

A study of a particular time and place, examining the relationship between social institutions, intellectual ideas, and music products. Topics in this series vary from year to year. May be repeated with consent of instructor.

Topic for Winter 2018: Music in the United States
In this course we will focus on the history of American concert and theater music, exploring the ways that composers have sought to develop distinctly American styles and approaches. Topics will include 19th-century “Indianist” compositions; the music of Charles Ives; the western-themed music of Aaron Copland, Virgil Thomson, and Roy Harris; American music during the Cold War; American experimentalism in the 1960s and 70s; minimalist and postminimalist music; and music now.

Topic for Winter 2018: Divine Love in the 17th Century
This course will examine musical depictions of the mystical union between the earthly and the divine in seventeenth-century sacred music in order to understand baroque spirituality, the role of music in spiritual life, and the aims and politics of musical representations of divine love.

Topic for Spring 2018: Music and Colonialism in the Age of Exploration
This course will explore the role of music in colonial encounters from the 15th through the 18th centuries and the complex musical exchanges between colonizers and colonized in New Spain, North America, and the Far East in New Spain, North America, and the Far East.

461	ENGLISH MUSICAL RENAISSANCE	Active
	Long Title: The English Musical Renaissance

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUHI 202
Description:	A study of the remarkable period in British music, roughly 1870-1970, now commonly called the English musical renaissance. Important relationships between social, intellectual, and musical currents will be examined through critical reading, discussion, and analysis of selected works by three major composers: Edward Elgar, Ralph Vaughan Williams, and Benjamin Britten. PREREQUISITES: MUHI 202

465	THE SECOND VIENNESE SCHOOL	Active
	Long Title: The Second Viennese School: Schoenberg, Berg, Webern

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	MUC0 202
Description:	This course has as its principal focus the three great figures of the so-called “Second Viennese School”: Schoenberg, Berg, and Webern. It includes not only a detailed study of their lives and works but also consideration of the cultural milieu from which they emerged and which they in turn influenced profoundly. PREREQUISITES: MUC0 202

470	TOPICS ETHNOMUSICOLOGY-REGIONS	Active
	Long Title: Topics in Ethnomusicology - Regions

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

Description:

An examination of music of a particular geographic region or diasporic group. Topics and prerequisites may vary from year to year. May be repeated when topic is different.

Topic for Winter 2018: Music of the Middle East
This course will cover the main aspects of Arab, Turkish, and Persian art, folk, and popular musics. Students will become familiar with Middle Eastern tuning systems, rhythmic patterns, formal structures, and performance practices. We will also look at music’s role in society in these regions as well as among diasporic populations, and explore music’s connections to other areas of artistic, social, religious, and political life.

471	PERFORMING ARTS OF BALI	Active
	Long Title: Performing Arts of Bali

Units:	6	Cross-Listing Parent:	MUCO 471	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A005 - Cross-Listed Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
G042 - GER Global Diversity
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:	Sophomore standing
Description:	This course explores the intersections of Balinese music, dance, drama, and ritual. Discussions will include how globalization, tourism, and economic and religious tensions affect the arts and performer's lives. Students will have hands-on experience learning to play Balinese gamelan instruments.

490	TOPICS ETHNOMUSICOLOGY-ISSUES	Active
	Long Title: Topics in Ethnomusicology - Issues

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	Sophomore standing or consent of instructor
Description:	An examination of a particular issue in ethnomusicological study. Topics and prerequisites may vary from year to year. May be repeated for credit when topic is different.

491	INTRO WRLD MUSIC & CULTURE	Active
	Long Title: Introduction to World Music & Culture

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
G042 - GER Global Diversity
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:

Sophomore standing or consent of the instructor

Description:

This course offers the opportunity to explore music and music cultures in a variety of ways and to increase your understanding of and appreciation for musics from around the world. We will discuss what music means to different people, how this relates to issues of ethnic, national, and gender identity, and how music traditions are changing due to forces of globalization. We will also discuss current ethnomusicological and anthropological theories that can help explain and analyze different contexts and understandings of music and why music is so important in human life. Students will apply these ideas in conducting their own musical ethnographic projects. PREREQUISITES: Sophomore standing or consent of the instructor

493	MUSIC & GENDER X-CULT PERSPEC	Active
	Long Title: Music and Gender in Cross-Cultural Perspective

Units:	6	Cross-Listing Parent:	MUCO 493	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

Sophomore standing

Description:

This course examines the relationship between the constructions of gender identities and music performance and practice, and looks at history and development of approaches, theories, and studies regarding this relationship. Each week contains theoretical readings from gender studies, women’s studies, or feminist scholarship as well as ethnomusicological case studies from a variety of locations around the world. PREREQUISITES: MUCO 212 or MUCO 202 or GEST 100 or GLST 100 or consent of instructor.

494	MUSIC AND THE ENVIRONMENT	Active
	Long Title: Music and the Environment

Units:	6	Cross-Listing Parent:	MUCO 494	Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

Sophomore standing or consent of instructor

Description:

In many societies around the world, people use music to connect with nature, specific places, and surrounding environments. This course will explore music performance practices and repertoire that expresses or enacts these connections. Case studies will include songlines and Australian Aboriginal land claims, North American protest songs, and the intimate relationships between music and nature of the BaAka people in central Africa and among the Kakuli people in Papua, among others.

495	INTRODUCTION ETHNOMUSICOLOGY	Active
	Long Title: Methods, Theories, and Debates in Ethnomusicology

Units:	6	Cross-Listing Parent:		Repeatable:	No
S/U Only:	No	Enr Limit per Sec:	20	IP Allowed:	No
Permission Req.:	No	Schedule Type:	01 - Standard	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

Sophomore standing

Description:

This course will cover the history of the field of ethnomusicology, key debates, influential scholars, and significant case studies. Important concepts will include fieldwork methods, organology (the study of musical instruments), tuning systems, transcription, and issues in applied ethnomusicology. This course will be particularly helpful to students considering graduate work in ethnomusicology. PREREQUISITES: MUCO 212 or MUCO 202 or ANTH 110 or consent of instructor

590	TUTORIAL IN MUSICOLOGY	Active
	Long Title: Tutorial in Studies Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	09 - Tutorial	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:

591	DIRECTED STUDY IN MUSICOLOGY	Active
	Long Title: Directed Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	14 - Directed Study	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:	Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

595	INTERNSHIP IN MUSICOLOGY	Active
	Long Title: Internship in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	08 - Internship/Practica	Campus:	Appleton Main Campus

Attributes:

A003 - Music Course
A010 - Internship
G010 - XX Fine Arts GER (86cr)
G034 - GER Fine Arts Div
M030 - XX Music History 300+ (00cr)
M032 - XX Music History 400+ (00cr)
M071 - Musicology 400+
S054 - Musicology Course
UD01 - Division of Fine Arts
UL01 - Upper Level Degree Cr (200+)
UL04 - 400-599 Advanced Course

Prerequisites:

To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Description:

599	INDEPENDENT STUDY MUSICOLOGY	Active
	Long Title: Independent Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	10 - IS	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	Counter Registration Required
Description:	Students considering an honors project should register for independent study for one or more terms.

690	TUTORIAL IN MUSICOLOGY	Active
	Long Title: Tutorial in Studies Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	09 - Tutorial	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:

691	DIRECTED STUDY IN MUSICOLOGY	Active
	Long Title: Directed Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	14 - Directed Study	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	To register student must complete the Student Initiated Course Form with consultation of supervising instructor
Description:	Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

695	INTERNSHIP IN MUSIC HISTORY	Active
	Long Title: Internship in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	08 - Internship/Practica	Campus:	Appleton Main Campus

Attributes:

Prerequisites:

To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Description:

699	INDEPENDENT STUDY MUSICOLOGY	Active
	Long Title: Independent Study in Musicology

Units:	1 TO 98	Cross-Listing Parent:		Repeatable:	Yes
S/U Only:	No	Enr Limit per Sec:	None	IP Allowed:	Yes
Permission Req.:	Yes	Schedule Type:	10 - IS	Campus:	Appleton Main Campus

Attributes:

Prerequisites:	Counter Registration Required
Description:	Students considering an honors project should register for independent study for one or more terms.